weekend 15/16 Jan 2011

Richard Thompson, Grand Opera House, York | Jan 2011

How did it get to be 2011, FFS?

A quiet Saturday, involving a trip to Morrisons (rock’n’roll, eh), and The Taking of Pelham 123 later on. This was the Denzil Washington/John Travolta version, and frankly I thought it not a patch on the Robert Shaw one. Still, that is on the Blockbuster list and will no doubt turn up in the fullness of time.

All the rather weary veg from the the fridge were diced up for soup, and cooked off in the slow cooker, a chickie! was roasted, and a pudding was concocted from the last two plums and a huuuuge Bramley, with an almond sponge topping. We also consumed a bottle of red wine between us, and two pots of coffee Рthis latter was a Mistake, as we both suffered from a severe caffeine overload overnight.

Sunday therefore dawned a tad grooish, but a brunch of bagels, scrambled egg, bacon, black pudding and mushrooms helped a bit; we kept away from the coffee, mind. Watched The Hurt Locker in the afternoon, which I will need to watch again, I think, and then set off for the wilds of York’s Grand Opera House, to see the wondrous Richard Thompson.

It’s something I miss about being in Bristol – we have to travel to see favourite people, and we’ve done Leeds, Sheffield, York, and have tickets for Mak Steel in Lincoln in March. The only music gig we’ve done in Hull was the Ukulele Orchestra early last year. Still, York is an easy run.

We had a swift, excellent pizza in Il Bertorelli (gorgonzola and mushroom for me – nom), then into the theatre; our tickets were about 300′ up at the back of the Grand Circle, and apart from the need for an oxygen mask, the view was terrific. As was the music – a four piece band of drummer, bass, violin, and a multi-instrumental chap on guitar, wind and brass (no, not all at the same time). Very tight combo.

First half was all new album stuff, which we didn’t know, second was some old favourites. Lovely acoustic version of Al Bowley’s in Heaven, ¬†storming rocking version of Tear Stained Letter, with lots of instrumental solos, and just the teeniest hint of community singing, and closing with a stomping I Want to See the Bright Lights Tonight.

Nice easy run home in 50 minutes, welcomed (if that’s the word) by sulking cats. And now it’s Monday again.